NIHITI – Ghosts and Lovers on NPR’s The Needle Drop

Link

Words & Music by Marissa Nadler

nihiti – for ostland is due 5/27/2012, lo bit landscapes LBL009LP.

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Aquarius Writeups of NIHITI EP and Viktor Timofeev LP

As long time lovers of Aquarius Records, it’s nice to be loved back.

Viktor Timofeev – GIVE HEALTH999

Viktor Timofeev is probably better known as a visual artist, this NYC resident hails from Latvia, and has been making a name for himself in the art world, but he also counts himself a member of electro synth-wave downer poppers Nihiti (whose new surprisingly folky ep is reviewed elsewhere on this week’s list) and painted the very distinctive cover of the first Nihiti, his solo record is something totally removed from Nihiti, both the electronic and the folkier versions, on his own, he instead traffics in expanses of layered drones, and looped riffage, of atmospheres and ambience, but active ambience, with sounds blurred and tangled, rhythmic without actual rhythms, the label drops names like Stars Of The Lid, SUNNO))) and Godspeed, and we do definitely hear elements of all of those, it’s droney and dirgey and haunting and almost classical sounding in places, but the tracks are super varied, while retaining an oblique cohesiveness, the opener is all dirgey blackened atmospherics, reminding us a little of Blackwolfgoat, looped and layered riffage, lurching and stuttering but super hypnotic, ultra lo-fi, muddy and murky, but the sort of thing we would have been into seeing fill up both sides of the record. The second track is totally different, instead it’s lush and shimmery, a dreamlike dronescape laced with streaks of feedback and a haunting distorted melody that runs throughout. The final track on the A side begins with field recordings, birds and running water, all beneath a series of warped and woozy tape experiments, lush chordal swells, repetitive and mantra-like, finally transforming into an almost orchestral looped industrial outro.
The flipside is separated into three tracks, but they seem to be woven into one sidelong epic, a cinematic symphonic landscape of drone and melody that almost sounds like a black metal Arvo Part, droney and dirgery and dramatic, sinister and ominous, the vibe menacing and super intense, the sort of track that broods malevolently, but is totally hypnotic and mesmerizing, the whole side is like a sonic black hole, the listener immersed in the dense deep blackness, until the last few minutes, where the track finishes off with a strange bloopy almost new wavey sounding outro.
Definitely recommended for fans of dark drones and droney darkness, and for sure has us wanting to hear more sounds, and see more art from Timofeev.

NIHITI – Faced With Splendor

This is record number two from NYC electro synth-wave downer poppers Nihiti, who as we mentioned in our review of their first record, are infamous for their tripped out light heavy live shows, and who traffic in a sound equal parts witch house, big beat electronica and home brewed electronic experimentalism, which is what we were expecting from this new ep, but in fact, the band have offered up something totally different, and in fact, totally acoustic. No electronics, no beats, no glitches or buzzes, instead, it’s all acoustic guitars, strings, even trombones, and vocals, real songs, darkly folky and at times sort of psychedelic, definitely poppy, and in a way, they almost sound like the more song based tracks from the first Nihiti record, arranged for acoustic guitar and violin. Almost.
So fans of that first records, it’s not a lock that this will be your cup of tea too, but it is pretty great, folky, but still a bit gloomy, the vocals are fantastic, lush intricate harmonies, slipping from croon to falsetto and back again, dark and dramatic, moody and moving, a little seventies British acid folk, a little bit modern psych folk, the strings soar and sing, adding tension and drama, the vocals and guitar often playing off each other, the B side gets a little bit waltzy for a track, the violin so mournful and melancholy, sounding very gypsy-ish, but it quickly returns to something more psychedelic strum. Cool stuff and a nice surprise for sure. Guardedly recommended for fans of the first record, but heck, we dug that and we’re digging this too.
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NIHITI – Pinko Morning Music Video

NIHITI – Pinko Morning from perfect&orbicular on Vimeo.

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NIHITI, Viktor Timofeev, The Surveyor shows at WUK, Vienna and LEAP, Berlin

As part of the “You Are Free” opening.

WUK Event Link

KUNSTHALLE EXNERGASSE
ab 16.00 Uhr (fortlaufend):
Stephen Neidich, I Fucking Hate Laundry
Jan Christensen & Anders Fjøsne,
N0th1n6 1$ f0r Fr€€, M0th€r Fuck€r$

WUK GROSSER SAAL
19.00 Uhr, Performance:
Erik Bünger: The Third Man
ab 21.00 Uhr: Performances & Konzerte:
Andy Graydon, Untitled (plate tectonics)
Viktor Timofeev
Tobias Bernstrup
Nihiti
Jeremy Shaw (DJ Set)

Donnerstag, 6. Oktober 2011

KUNSTHALLE EXNERGASSE
19.00 Uhr, Performance:
Delia Gonzalez, In Remembrance

WUK FOYER
20.00 Uhr, Performance:
Bryan Zanisnik, Dissociative Pastry and Stone

WUK GROSSER SAAL
ab 21.00 Uhr, Konzerte von:
From the Department of Bad Moods (David Levine/
Viktor Timofeev/Daniel Kingery/ Joe Dilworth)
Bryce Hackford
Heatsick FM
The Surveyor (DJ Set)

 

And at LEAP Gallery, Berlin on 8/8.

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Nihiti – Pinko Morning in Tiny Mix Tapes, Some Kind of Awesome, MagicRPM

Tiny Mix Tapes:

Previously on TMT, we saw Nihiti remixing Strand of Oaks to great effect. Pinko Morning, from the forthcoming Faced With Splendor EP, explodes that wandering remix into tiny pieces and carefully reconstructs them into a lean folk song. Everything seems brightly lit and in focus here. From the song’s natural evolution with varied acoustic instrumentation to the careful melody, nothing is out of place. Look out for a change of pace when Nihiti returns to electronics next year on the Ostland LP.

Some Kind of Awesome:

Nihiti have changed direction for the upcoming release Faced With Splendour. Instead of continuing with the electronic soundscapes and beats fans had gotten used to, they entered the studio with nothing but songs, acoustic instruments the results will raise the hairs on the back of your neck a little. Featuring a slow building acoustic verse before gentle rolling off the cliff into the unknown “Pinko Morning” just keeps giving all the while keeping you guessing as to what’s around the corner. Let this stripped back and bare track share its vulnerability with you.

Pinko Morning also appeared in this mix from French mag MagicRPM and this mix from Le Choix.

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Viktor Timofeev – GIVE HEALTH999 LP Announced, Tiny Mix Tapes Writeup

Viktor Timofeev - GIVE HEALTH999

Viktor Timofeev’s personal journey into the outer reaches of sonic experimentation has been a unique and intensely personal one, complimentary to but distinct from his increasingly successful career as a visual artist of extraordinary talents. Hailing from Latvia originally, coming up in New York City, and for the last several years residing in Berlin, the stamp of “Eastern” modal melodies can be found all over the vast soundscapes GIVE HEALTH999 offers, though these modes have been so fractured and distorted that the exact reasons for that impression can be hard to pin down.

Working primarily with simple recording technologies and using guitar/bass/analog effects as the primary audio source, tracks like Eden_Olymp|a (thematically based on the edenic resort from J.G. Ballard’s “Super Cannes”) begin with a jarring cacophony of broken delay pedals before emerging into searing sonic fires reminiscent of nothing so much as a meteorite burning up on re-entry to the atmosphere of some distant moon. Flying Zonogons, the album’s centerpiece, languorously builds a layered wall of dread over its fifteen minute length; were it to have been a Brian Eno recording, it would surely be the darkest one in his catalog.

At it’s most abstractly beautiful, GIVE HEALTH999 brings to mind the more “out” work of Stars of the Lid or even Godspeed! You Black Emperor, although considerably darker and more experimentally diffuse than either. The dark edges hint at the influence of atmospheric black metal bands like Burzum or the out and out noise/heaviness abstractions of Sunn O))) or NON, though the melodic sensibility gives the music a dramatically epic flair very rarely seen in such intentionally “out” music.

2012 will see more solo releases from Timofeev, including the surfacing of (slightly) more conventional (though no less dark) music in the form of contributions to New York City’s nihiti (whose debut LP’s cover features Timofeev’s “Red/Black: The Cyclical Nature of the Practice of Architecture”, and of which Timofeev is a contributing member) and collaborations with NYC’s Bryce Hackford (of Behavior).

Viktor Timofeev Art
Viktor Timofeev Soundcloud
Tiny Mix Tapes premiered a track with a nice writeup.

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NIHITI – Faced With Splendor Acoustic EP Coming 9/9/11

nihiti - faced with splendor

To record Faced With Splendor, Nihiti took a rather unusual step for a band widely praised for its depth of electronic sonic exploration – they entered a recording studio with nothing except songs, acoustic instruments, and the unmatched skills of producer TJ Lipple (Aloha). And while Nihiti’s disorienting electronic melodies grace a few moments on this EP (see the sparklingly twisted piano sounds on “Golden Pavilion”), for the most part the sound is left stripped, bare, and real… which might leave a lesser electronic band sounding less interesting, but results instead in some astonishingly beautiful songwriting.

Upon even a cursory listen to a song like “Pinko Morning,” it quickly becomes apparent why Nihiti’s previous LP, Other People’s Memories was such a compelling release – beneath all the shattered synthesizers and metallic beats lay a melodic core that was undeniably human. And while the stripped down/acoustic nature of Faced With Splendor might appear surprising to the uninitiated, it was in fact this sound of Nihiti that early live audiences were treated to… and given Nihiti’s tendency to become almost an entirely different live band as suits the particular occasion, it will probably be a sound that will be heard again.

Preview Tracks on Soundcloud

Fear not fans of Nihiti’s electronic tendencies — their forthcoming LP For Ostland will bring them full circle, with a forecasted release of March 2012.

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Strand of Oaks Nihiti Remix on Tiny Mix Tapes

“Check out this bizarre, labyrinthine offering from Nihiti, a remix of Strand of Oaks’ Sterling. The track seems to build and build layers without clear payoffs or textural shifts, creating an oddly ambient effect out of more traditional songwriting elements” – Tiny Mix Tapes

link

320kbps mp3 downloadable at the Nihiti soundcloud page

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SSPS, Nihiti, Viktor Timofeev, Jonny Teardop in Berlin 8/6/11

Synthetic/Hypnotic - Nihiti, SSPS, Viktor Timofeev

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L.A. Record Judgment Day Mix w/nihiti & National Park System

Bloody Death Skull – Judgment Day
Nostalghia – Cool For Chaos
Halloween Swim Team – Science Fiction
Peter Himmelman – The Pigeons Couldn’t Sleep
Ash Reiter – 2012
Mexicans With Guns – Death And Rebirth
Jenny O – Earth Has Won
The Silent League – Here’s A Star
Yacht – Dystopia
William Strangeland – Last Breath
The Rock N Roll – November Rain
Crystal Antlers – Parting Song For The Torn Sky
Bobby Blunders – Wound Too Tight
Nihiti – Who Will Be Your Messenger?
Sister Mantos – Fin Del Mundo Yankee
The Thermals – Here’s Your Future
National Park System – Sad And Fucked (Not Moving)
5-Track – A Beautiful Song About The End Of The World
DRVGDEALER – Smoke Lightning Fuck Unicorns

Judgment Day Mixtape (for the Judgment Day that wasn’t)

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